
Helen Watson's matured voice gives a welcome change in the world of
singer/songwriters. Her music lies in between blues, soul, jazz and folk. Helen started playing
in the club-folkcircuit during the late sixties. She was one half of a soul duo, a singer with
a blues band called Loose Lips (this quartet made two albums on the Appaloosa label in Italy),
a frontgirl for a Manchester band called Well Knit Frames, and a backing singer for Carmel. Her
unique style has earned her much session work, which in the early 80's led to an interest in her
songwriting and a subsequent recording contract with EMI. During this period Helen worked with
artists such as Little Feat, Albert Lee, Andy Fairweather-Low and toured Europe with Joe Cocker.
In the early nineties Helen was a member of Hell Bent Heaven Bound who toured in Europe, America
and Canada.
Her first album Blue Slipper came out in 1987, followed by The
weather Inside in 1989. Companion Gal, the only album I could not yet get my hands
on came out in 1992. During the following years Helen's music style changed from a more rockier
approach to a more easier folk style of singing which you can here on her next two albums,
Notes on Desire (1995) and Somersault (1997).
Helen is also one of the five singers on the album Daphne's Flight
(1996), a collaboration for five of Britain's best women singers: Christine Collister, Melanie
Harrold, Julie Matthews, Helen Watson and Chris While.
Somersault was co-produced by fellow Daphne's Flight member Julie
Matthews with guest appearances by Chris While, Howard Lees, Christine Collister, Chris Leslie
and Julie Matthews. A few of the songs are co-writes but most of them are inspired and written
by herself. You can read more on the Fledg'ling Records
webpage.
Helen also worked with Christine Collister on Christine's album "Blue
Aconite". She was the associate producer, co-writer of the song 'Kicking in my stall', and
background singer and harmonica player on some of the songs. And Helen sings backing vocals on
Chris While's album "In The Big Room". She also co-wrote the song 'Walk beside you'
with Chris and July. On Chris While & Julie Matthews new album "Piecework", Helen
sings backing vocals and co-wrote one song 'Hard to find the way' with Chris and Julie. You can
find more details on the Fledg'ling Records webpage or
check out Chris and Julie's website. Helen can
also be heard performing backing vocals on the (soon to be released) Emmy Lou Harris / Linda
Rondstadt collaboration album.
I wan't to thank Patrick Hnidka and Martin Smith for his kind contribution to this web-page.
"Helen Watson, blessed with excellent phrasing and control she slips effortlessly from
breathy, seductive jazz to gritty R&B." Folk on Tap....
"There's no arguing with claims citing her as one of the country'spremier jazz blues singers."
Live review from Ronnie Scotts.
"A singer of goose pimply beauty and songwriter of rare depth." City Life
"Helen Watson is a long neglected gem who's keeping R&B alive and positively kicking for
anyone willing to listen. Maybe 'Notes on Desire' will be the one to place her smack bang in
the middle of our somnolent air waves. It'd certainly be a 500 watt jolt to the sleeping
programmers out there." Siobhan Long , Hot Press.
"Helen's second album should finally establish her as a singer songwriting in the Joni Mitchell
mould. A bright future beckons for this crystalvoiced lady." Q Magazine
For information and bookings call Jil Barke
Blue Moon Music
39 Chapel Street
Birdwell
Barnsley S70 5UW
Tel/Fax 01226 746821
Review:The Helen Watson Band, 1st of November 1997. |
If you know anything more about her or if you have some pictures, reviews or anything else please e-mail me (Alex) at: jad @ bart.nl
My Past Life Have Gone (1980)
Feel The Benefit (1981)
Blue Slipper
The Weather Inside
Companion Gal
Notes on Desire
Somersault
Doffing
Hell Bent Heaven Bound II
Daphne's Flight
Hanging out the washing
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Blue Slipper (1987) EMI Records CDP 7483212 |
By: John Bauldie/Q Magazine, November 1987
With Frames' guitarist Martin McGroarty, Helen Watson made a demo tape of
their co-written songs which found its way to manager Deke Arlon and producer Glyn Johns and.
. .Whoosh! Before she knew it, Helen was in LA recording with some superb musicians, most
notably Paul Barrere, Bill Payne and Richie Hayward of Little Feat, back in the studio together
for the first time since Lowell George's death in 1979.
Blue Slipper is a good record, Helen Watson has a very easy but
characterful voice which adapts itself well to several types of song. The songs too are always
interesting and impressively put together -- particularly the title track, a look back to
childhood which Watson sings beautifully, like Maria Muldaur at her best, and which features
wonderful guitar-playing from Michael Landau. Blue Slipper may not make Helen Watson
famous or rich, but it certainly deserves attention. (4 stars out of 5)
| Track | Title | Songwriter | Playing Time |
|---|---|---|---|
| 1 | You're not the rule (you're the exception) | H. Watson / M. McGroarty | 04:10 |
| 2 | Boys own world | H. Watson / M. McGroarty | 02:30 |
| 3 | When you love me I get lazy | H. Watson / M. McGroarty | 05:01 |
| 4 | The new rock island line | H. Watson / M. McGroarty | 04:03 |
| 5 | Blue slipper | H. Watson / M. McGroarty | 05:12 |
| 6 | Don't stop now | H. Watson / M. McGroarty | 03:34 |
| 7 | I'm jealous dear | H. Watson / M. McGroarty | 02:57 |
| 8 | Sway | H. Watson / M. McGroarty | 04:20 |
| 9 | Chrome solder | H. Watson | 03:43 |
| 10 | Don't forget to say your prayers | H. Watson / M. McGroarty | 03:39 |
| 11 | Rock myself to sleep | H. Watson / M. McGroarty | 04:13 |
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The Weather Inside (1989) EMI Records CDP 7918832 (UK: CDSCX6717) |
By: Henry Williams/Q Magazine, April 1989
Unwittingly responsible for the reformation of Little Feat (the surviving
members re-met as session players on her 1987 debut LP), Helen Watson's second album should
finally establish her as a singer/songwriter in the Joni Mitchell mould. If her lilting, folksy
singing recalls the '60s, the treatment of these often wordy songs by veteran producer Glyn
Johns is resolutely modern. Having struggled through the '70s and most of the '80s trying to
get a record deal, it's clear she's now fallen on her feet. The tracks 'Dangerous daybreak' and
'Now we'll move a river' stand out, but none of the other nine songs is under par. A bright
future beckons for this crystal-voiced lady. (3 stars out of 5)
| Track | Title | Songwriter | Playing Time |
|---|---|---|---|
| 1 | I wish that love was simple | H.Watson / M.McGroarty | 03:26 |
| 2 | You're so hard to get hold of | H.Watson / M.McGroarty | 03:34 |
| 3 | The road that ends in tears | H.Watson / M.McGroarty | 03:25 |
| 4 | The weather inside | H.Watson / M.McGroarty | 02:43 |
| 5 | Your face | H.Watson / M.McGroarty | 02:43 |
| 6 | Hanging out the washing (in a small back yard) |
H.Watson / M.McGroarty | 04:22 |
| 7 | A thrill enough to know | H.Watson / M.McGroarty | 04:10 |
| 8 | Dangerous daybreak | H.Watson / M.McGroarty / S.Stead / J.Ellis / T.Trundle | 03:51 |
| 9 | Now we'll move the river | H.Watson / M.McGroarty | 03:46 |
| 10 | Ready to fly | H.Watson / M.McGroarty | 03:18 |
| 11 | Letters of introduction | H.Watson / M.McGroarty | 04:04 |
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Companion Gal (1992)
RCA PD 75193
By: Phil Sutcliffe/Q Magazine, April 1992
Helen Watson has her own slant on love songs. 'Not a word like
"Love" in sight' actually forbids use of the old four letters, while urging, 'Pour
your vocabulary into my arm / Praise me up, let the syllables touch'. Love is likewise absent
from her thoughts on toy boy candidate 'Billy But Beautiful': 'The most delicious parts/Is we
will never break each others' hearts'. If an intellect can be sensuous, Watson's is -- and her
voice matches the wit and salty flavour of her lyrics. However, she still lacks the melodies to
cement a song in the whistle and hum part of the brain, and the production, in a range of soft
rock styles, is strangely lifeless. So, far all its attractive intelligence, Companion
Gal may well leave Helen Watson as before: respected, but mainly sales-free. (3 stars out
of 5)
| Track | Title |
|---|---|
| 1 | There must be some mistake |
| 2 | Someone you want to be with (more than me) |
| 3 | Not a word like "Love" in sight |
| 4 | Companion gal |
| 5 | Breakout the birdcage |
| 6 | Billy but beautiful |
| 7 | The devil in you |
| 8 | I won't tell on you |
| 9 | Manners |
| 10 | Then we came to the sea |
| 11 | #163#100 Watch |
| 12 | One blue suit |
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Notes on Desire (1995) Building Records CD 001 |
By: Johnny Black/Q Magazine, April 1996
An ex-teacher from Manchester, Helen Watson has been through the mill,
almost losing sight of the goal posts during her residence at EMI and RCA, but she's back on
track again with songs honed in clubs where people actually pay money and pay attention. She's
not breaking any barriers, but six albums into a low-key career, she knows how to construct a
tune, decorate it with just the right instrumental flourishes, then furnish the finished
artefact with honest lyrics sung with an elegantly jazzy pizzazz that draws on the finest
mainstream singers of the last 50 years. (3 stars out of 5)
| Track | Title | Songwriter | Playing Time |
|---|---|---|---|
| 1 | Shiver | H. Watson / M. McGroarty | 03:24 |
| 2 | Isn't that what it's for | H. Watson / M. McGroarty | 03:34 |
| 3 | Since I fell for you | Bud Johnson | 04:14 |
| 4 | Time of your life | H. Watson / M. McGroarty | 03:38 |
| 5 | Notes on desire | H. Watson / M. McGroarty | 03:55 |
| 6 | Blame it on the sun | Syreeta Wright / Stevie Wonder | 03:31 |
| 7 | Magnificent | H. Watson / M. McGroarty | 03:57 |
| 8 | From the top | H. Watson / M. McGroarty | 03:23 |
| 9 | I told you I love you - now get out! | Frigo / Ellis / Carter | 03:33 |
| 10 | Conversation | H. Watson / M. McGroarty | 03:55 |
| 11 | Let me be the first to tell you | H. Watson / M. McGroarty | 03:54 |
| 12 | The last thing I need | H. Watson / M. McGroarty | 04:19 |
| 13 | Jackie you're moody | H. Watson / M. McGroarty / T. Trundle | 03:22 |
| 14 | I Want More | Billie holliday | 04:13 |
| 15 | Fell for it | H. Watson / M. McGroarty | 04:47 |
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Somersault (1997) |
Fledg'ling press release Autumn 1997 :
'Somersault' Presents a previously unrecorded side of Helen's music through
a remarkable series of bguiling and intriguing songs plus a gorgeous reading of the Dan Penn /
Spooner Oldham classic 'Out of left field'. Guests include Christine Collister, Howard Lees,
Julie Matthews & Chris While.
| Track | Title | Songwriter | Playing Time |
|---|---|---|---|
| 1 | Help you forget | H.Watson | 03:52 |
| 2 | Smoke signals | H.Watson / E.Johns | 04:21 |
| 3 | You'll never go away | H.Watson / H.Lees | 04:48 |
| 4 | Out of left field | D.Penn / S.Oldham | 03:13 |
| 5 | Close to making sense | H.Watson / H.Lees | 04:56 |
| 6 | Ground floor flat | H.Watson / M.McGroarty | 02:46 |
| 7 | Value | H.Watson | 02:48 |
| 8 | Home before you know it | H.Watson | 03:38 |
| 9 | Falg | H.Watson | 01:52 |
| 10 | All weather girls | H.Watson / H.Lees | 02:53 |
| 11 | Kicking in my stall | H.Watson / C.Collister | 02:59 |
| 12 | Wasted on me | H.Watson / H.Less | 03:31 |
| 13 | Lowish time | H.Watson | 03:40 |
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Doffing (1999) |
doff dof, vt to take off, to put off, to lift (one's hat) in greeting someone
| Track | Title | Songwriter | Playing Time |
|---|---|---|---|
| 1 | Keep what I got | James Moore (Slim Harpo) | 02:42 |
| 2 | Personally | Paul Kelly | 03:54 |
| 3 | Mystery train | Junior Parker | 02:56 |
| 4 | I want to live & love | Sullivan & Walker | 01:45 |
| 5 | Cruisin' | William Robinson & Marvin Tarplin | 05:41 |
| 6 | I thank the Lord my prayers | Helen Watson | 02:34 |
| 7 | Losing the feeling | W. Hale | 03:08 |
| 8 | Barefootin' | Robert Parker | 02:21 |
| 9 | Icy blue heart | John Hiatt | 04:21 |
| 10 | Ain't got you | Bruce Springsteen | 02:26 |
| 11 | Have mercy | Don Covay | 02:22 |
| 12 | I'm your puppet | Dan Penn & Spooner Oldham | 03:25 |
| 13 | That's all it took | D Edwards, C Greer & G Jones | 03:50 |
| 14 | I thought about you | Jimmy van Heusen & Johnny Mercer | 02:33 |
| 15 | Lush life | Billy Strayhorn | 02:31 |
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Hell Bent Heaven Bound II (1993)
Barb Jungr / Christine Collister / Michael Parker / Helen Watson
A studio recording of all the songs featured in the stage show "Hell
Bent Heaven Bound II - Money The Final Frontiers" linking these four great voices in a set
of exciting and inventive arrangements of a very wide ranging set of material. This tape is all
recorded directly to DAT and lasts over 70 minutes. "Four highly individual voices whose
collective sound is nothing short of tremendous" (Guardian).
| Track | Title |
|---|---|
| 1 | You've got to pick a pocket or two |
| 2 | Nothin' going on but the rent |
| 3 | Gee baby ain't I good to you |
| 4 | Your cash ain't nothin' but trash |
| 5 | My heart belongs to daddy |
| 6 | America |
| 7 | One meat ball |
| 8 | Pharaohs |
| 9 | Summertime |
| 10 | Alimony |
| 11 | Do it again |
| 12 | Mocking bird |
| 13 | Money |
| 14 | Show biz kids |
| 15 | Dark as a dungeon |
| 16 | I ain't got you |
| 17 | Wall street shuffle |
| 18 | Satisfied mind |
| 19 | Soavey soavey |
| 20 | I'll take care of you |
| 21 | Smile |
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Daphne's Flight (1996) Fledg'ling Records FIVE 005 Christine Collister / Melanie Harrold / Julie Matthews / Helen Watson / Chris While |
By: John Crosby/Q Magazine, June 1996
A debut collaboration for five of Britain's best women singers: Christine
Collister, Melanie Harrold, Julie Matthews, Helen Watson and Chris While. With a shared
musical pedigree that includes work with Richard Thompson, The Albion Band, Gery Rafferty,
Little Feat, Glyn Johns, Hank Wangford, and Clive Gregson, Daphne's Flight carries all
the weight of those musical apprenticeships. The self-penned songs are particularly strong but
the handful of cover versions surprise with their power (Bill Wither's Ain't No Sunshine is an
unlikely choice but Collister's deep, involved singing sits nicely against the '60s girl group
coo-ing of the accompanying voices). One or two songs, however, do have the shine rubbed off
them by "soulful" overemoting , notably Melanie Harrold's Over and Over. (3 stars out
of 5)

Though Helen Watson only sings lead vocal on two songs, the five women sing and play on all tracks.
| Track | Title | Lead vocal | Playing Time |
|---|---|---|---|
| 1 | Over and over | Melanie Harrold | 04:48 |
| 2 | Ain't no sunshine | Christine Collister | 03:53 |
| 3 | Another year another day | Chris While | 04:18 |
| 4 | The calling | Julie Matthews | 04:14 |
| 5 | Gone | Helen Watson | 03:29 |
| 6 | The letter | Melanie Harrold | 07:41 |
| 7 | Father adieu | all | 04:36 |
| 8 | Guilty | Christine Collister | 04:47 |
| 9 | Shake out your silver | Helen Watson | 04:47 |
| 10 | Circle round the sun | Chris While | 05:08 |
| 11 | Rise above the tide of life | Julie Matthews | 04:43 |
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